Stories indexed with the term ‘annual plan’

Commission Works on Public Art Planning

Ann Arbor public art commission meeting (Jan. 29, 2014): In a three-hour session, the public art commission worked on prioritizing capital improvement projects that might be suitable for public art.

Kristin "KT" Tomey, Ann Arbor public art commission, The Ann Arbor Chronicle

On Jan. 29, Kristin “KT” Tomey attended her first regular meeting of the Ann Arbor public art commission since being appointed by the city council on Jan. 6. (Photos by the writer.)

Some commissioners expressed frustration that they had insufficient information on which to base their evaluation. And after about two hours of discussion – using a scoring rubric with seven criteria – commissioners had evaluated only a few projects: artist-designed street access (manhole) covers, art for the Springwater subdivision, and art for the corridors of Main Street and Plymouth Road. Because there were still several other items on the agenda, they voted to postpone further evaluation of possible capital projects until their next meeting.

In other action, commissioners discussed and approved a draft annual public art plan that’s officially due to the city council on Feb. 1, for projects to be undertaken in the fiscal year that begins July 1. It includes projects that are underway – like artwork for East Stadium bridges and Argo Cascades – as well as a proposal to add some enhanced capital projects, like street access covers on resurfaced roads.

The draft annual plan had been prepared by Aaron Seagraves, the city’s public art administrator. Commissioners asked for some revisions and designated commissioner John Kotarski to work with Seagraves on a final version that will likely be presented to the council on Feb. 18. Kotarski praised the draft, saying “It has as much meat as anyone wants. It shows a lot of work. It shows an art commission that gets the message from an impatient city council.”

Commissioners also discussed a proposal from the Clean Energy Coalition to select and fund an artist who would help incorporate art into a new bike share program. They tabled action on this item, wanting additional information about the CEC’s expectations for funding.

This was AAPAC’s first regular meeting since Oct. 23, 2013, although they held a retreat in December and a planning session earlier in January. Throughout the evening, concerns were raised about the future of the public art program, in light of recent city council discussions. The council had postponed a requested six-month extension of Seagraves’ contract, and will be taking up that item on Feb. 3.

Also on the council’s Feb. 3 agenda is an amendment to the city’s public art ordinance. The amendment would allow the council to return about $800,000 accumulated under the city’s former Percent for Art program to the funds from which that money was drawn, such as the street millage or sanitary sewer fund. It’s the latest in an ongoing transition for the city’s public art program – a transition that’s been unsettling for public art commissioners.

The Jan. 29 meeting marked another transition for AAPAC, which has seen considerable turnover during the past year. It was the first regular monthly meeting for the newest commissioner, Kristin “KT” Tomey, who was appointed by the city council on Jan. 6. And it was the last meeting for Malverne Winborne, whose term ended on Dec. 31. He did not seek reappointment, and was serving until the position was filled. His replacement, Jim Simpson, is expected to be confirmed in a vote at the city council’s Feb. 3 meeting.

Winborne has served as vice chair of AAPAC – but the group held new officer elections on Jan. 29. Bob Miller was re-elected to another one-year term as chair, and John Kotarski was elected vice chair. There were no competing nominations, and both votes were unanimous.

Noting that the Jan. 29 meeting had been especially challenging, Miller thanked commissioners for their work. “This is probably the most belabored meeting I think we’ve ever gone through, aside from maybe one of the retreats,” he said. “I’m tapped out.” He jokingly cajoled commissioners: “Please do come back.”

Miller also encouraged students to return, as about two dozen students from Skyline High School – and some parents – attended the Jan. 29 meeting. “It’s the most amount of people we’ve ever had at any of our meetings,” Miller noted. One student pointed out that they were all from the same government class, facing a Jan. 31 deadline to attend a public meeting. [Full Story]

Public Art Commission Sets Retreat

The Ann Arbor public art commission voted to schedule a retreat on Wednesday, Nov. 20 at 4:30 p.m., at a location to be determined. The action took place at AAPAC’s Oct. 23, 2013 meeting. The item to create this committee was added to the agenda at the start of the meeting.

The point is to review the selection of projects for the commission’s annual plan, as well as to help build rapport among commissioners. Three new commissioners have joined AAPAC this year: Devon Akmon, Ashlee Arder, and Nick Zagar. The retreat will be held in place of the commission’s regular Nov. 27 meeting, which has been canceled. Update: The Nov. 20 retreat was subsequently canceled, as was AAPAC’s Nov. 27 regular … [Full Story]

Public Art Group Faces “Interesting Times”

Ann Arbor public art commission meeting (April 24, 2013): Pushing ahead despite a somewhat uncertain future, public art commissioners took two actions tied to the city council’s pending overhaul of Ann Arbor’s public art program.

Bob Miller, Ann Arbor public art commission,The Ann Arbor Chronicle

Bob Miller, chair of the Ann Arbor public art commission, looks at a copy of Professional Quarterly Magazine, published by the Michigan Recreation & Park Association. The cover features a photo of Argo Cascades, for a feature story on Michigan’s unique recreational venues. A public art project for Argo Cascades is in the artist-selection stage. (Photos by the writer.)

AAPAC voted to change the submission date of its annual public art plan to the city council, making it synch more closely with the process of developing the city’s capital improvements plan (CIP). Rather than submitting the art plan by April 1, that date has been pushed up to Feb. 1 – a move that will allow the council to make budget decisions based on recommendations from AAPAC.

Shifting the date of the annual plan is linked to a major restructuring of the city’s public art program. A city council committee has been developing a proposal for revisions to the public art ordinance – including elimination of the Percent for Art funding mechanism. The proposal is expected to appear on the council’s May 6 agenda.

At its April 24 meeting, AAPAC also recommended one more ordinance change that they hope the council will consider: Adding up to two student commissioners to the nine-member body. The goal is to involve a younger demographic and to reach a segment of the community that’s not currently active in AAPAC. Commissioners approved a memo that will be sent to the city council to recommend this change.

During a discussion about these and other changes to the program – including a shift to more private fundraising and partnerships – AAPAC chair Bob Miller observed that there might be a couple of years during this transition when “we won’t be making public art.” John Kotarski ventured that AAPAC’s role is to be visionary and to act as an advisor, “as opposed to a cashier.” Ashlee Arder, one of the newest commissioners, suggested that AAPAC consider how to rebrand itself, as it becomes a more participatory entity. Craig Hupy, the city’s public services area administrator, noted: “I think you’re walking into interesting times.”

In other action at the April 24 meeting, commissioners heard updates on a wide range of projects, including the Ed Carpenter sculpture that will be installed at the Justice Center over Memorial Day weekend. Finalists for the East Stadium bridge artwork will be making formal presentations of their proposals on June 7, and the artist selected in March for artwork in the Kingsley & First rain garden will be coming to town sometime in May for a public meeting at the site. A project spearheaded by the Huron River Watershed Council – to raise awareness of how the city’s stormdrain system connects to the river – has extended its deadline for artist submissions to May 14.

The commission is also accepting nominations until May 21 for the annual Golden Paintbrush awards, recognizing contributions to public art.

AAPAC chair Bob Miller reported that Maureen Devine has been suggested to replace Wiltrud Simbuerger, who resigned in March. Devine’s name has been submitted to the mayor, who is responsible for making nominations to most of the city’s advisory boards and commissions. Devine is art coordinator for the University of Michigan’s North Campus Research Complex (NCRC).

The meeting started 30 minutes late for lack of a quorum, after it was clarified that commissioners had to be physically present in order to vote. Malverne Winborne participated in the meeting via conference call, but did not vote. [Full Story]

New Public Art Projects In the Works

Ann Arbor public art commission meeting (Jan. 23, 2013): Despite uncertainty about the future of the city’s public art program, commissioners discussed several projects at their most recent AAPAC meeting – including some new efforts that likely won’t use city funding.

Malverne Winborne, Marsha Chamberlin, Ann Arbor public art commission, The Ann Arbor Chronicle

From left: Ann Arbor public art commissioners Malverne Winborne and Marsha Chamberlin at AAPAC’s Jan. 23, 2013 meeting. Winborne is explaining how he had interpreted the image on a proposed sign for the Dreiseitl water sculpture – in looked like a notebook binder’s spine. (Photos by the writer.)

AAPAC chair Marsha Chamberlin described a collaboration with the city’s parks system to use old canoes for a community art project. The effort also involves the Main Street Area Association and Ann Arbor Convention & Visitors Bureau. She indicated the project would seek private donations and grants, but probably not funds from the city’s Percent for Art program, which is currently under review by the city council.

The commission also heard from Linda Tenza, a resident who came to the Jan. 23 meeting to make an informal proposal for creating murals on the ceilings of the farmers market shelter. Likening it to a Sistine Chapel effect, Tenza suggested painting food-themed murals on the ceilings of the structures that cover the market aisles. Possible themes include food as medicine, the local farm community, seasonal fruits and vegetables, and the history of farming.

Although Tenza’s project is still tentative, one public art project that’s definitely coming to Ann Arbor is the Detroit Institute of Arts’ Inside|Out program, which involves installing framed reproductions from the DIA’s collection at outdoor locations on building facades or in parks. Two private Ann Arbor businesses – Zingerman’s Deli and the downtown Borders store – were part of the program in 2010. Since then the DIA has been talking periodically with AAPAC and city staff about expanded participation.

The works will be hung from late March through June at several downtown locations, including on the facade of city hall and on the wall of the fire station that faces the Ann Arbor Hands On Museum. An official announcement about the project, including a listing of all locations, will be made at a Feb. 8 DIA press conference.

In other action at AAPAC’s Jan. 23 meeting, commissioners expressed frustration with the proposed design of a sign for the Herbert Dreiseitl water sculpture in front of city hall, calling it too “busy” with text and images that are unclear. Nor were they pleased with the proposed description of the piece that’s included on the sign: “Sculpture with Water Feature.” Chamberlin agreed to discuss their concerns with Ken Clein of Quinn Evans Architects, which handled the design.

Commissioners were also updated on several ongoing projects, including the selection of public art for the East Stadium bridges. A public engagement proposal for that $400,000 project – which might serve as a template for other projects – elicited some debate. John Kotarski objected to a recommendation that part of each artist’s interview with a selection panel should be held in private. He felt strongly that the process should be open and transparent. Wiltrud Simbuerger, who presented the recommendation, felt that the selection panel needs a “safe place” for their deliberations.

The Jan. 23 meeting included a discussion of officer elections, which AAPAC’s bylaws call for in January. The elections were ultimately postponed because only four commissioners were present at that point in the 2.5-hour meeting. Chamberlin has been serving as chair since April of 2011. Malverne Winborne is vice chair.

Also factoring into the issue of officer elections was the uncertainty of AAPAC’s future. The city council has suspended expenditures for future projects pending review of the public art program by a council committee appointed last December. Chamberlin, who has attended all meetings of that committee, gave an update to commissioners, but noted that no decisions have yet been made. The committee is expected to give its recommendations to the full council in mid-February – its next meeting is on Feb. 7. This report includes a summary of the committee’s most recent deliberations. [Full Story]

Art Group Updates Ann Arbor Council

At its May 7, 2012 meeting, the Ann Arbor city council received a presentation on the public art commission’s annual plan.

The plan includes five objectives: (1) Develop a master plan for 2013-2016 that will create community engagement and expedite work of the commission. (2) Advance the following projects that are underway, meeting all deadlines. All the projects have task force oversight, approved budgets, and are in various stages of completion. The projects are: (a) installation of Ed Carpenter’s “Radius” sculpture in the lobby of the Justice Center by November 2012 ($150,000); (b) a mural in Allmendinger Park by Mary Thiefels, to be completed by September 2012 ($12,000); (c) two additional murals by August 2013 ($40,000); (d) artwork for a rain … [Full Story]