Stories indexed with the term ‘language’

Milestone: What The Chronicle Sounds Like

Here at The Ann Arbor Chronicle, we traffic almost exclusively in the written word. One clear exception is made for center-column articles, where we do try to include some photographs. Still, it’s rare that we take advantage of the full multimedia capability of the Internet.

Michael Flynn with phonograph

Michael Flynn with his “cooperative phonograph” on Main Street in Chelsea, Michigan for the Sounds and Sights Festival on July 27, 2013. (Photographs by the writer.)

However, in the last couple of weeks, we’ve published two pieces that have included supplementary audio files. One was a write-up of a Ward 3 Ann Arbor city council candidate forum. The audio in that case served the purpose of grounding possible conversation about a she-said-he-said accusation in the actual facts of what-he-said.

The second one was a piece by regular columnist David Erik Nelson – about interviewing Noam Chomsky in the bar of the Campus Inn. The audio in that case served in part to provide a literal sense of what Chomsky “sounds like.” Just as a side note, I would argue that Nelson’s written treatment of the interview actually offers higher fidelity than the audio.

Today’s monthly milestone column also includes some audio. It was recorded from a roughly four-foot diameter “cooperative phonograph” fabricated out of stainless steel by local Ann Arbor inventor/artist Michael Flynn. Flynn had the phonograph on display last Saturday at Chelsea’s Sounds and Sights Festival.

Flynn was set up on Chelsea’s Main Street, just south of the iconic clock tower. He invited passers-by to use cards as “needles” to pick up the sounds from the ridges that he has cut into the edges of the metal disk.

I enjoyed watching as skeptical expressions from parents and kids dissolved into delight – as they discovered how the cards they were holding against the spinning platter were somehow generating music and words.

But an expression of delight won’t pay Flynn’s bills. The work of art took him over four years to develop – and he took on debt to make it possible. So Flynn is looking to sell the phonograph and to make more of them for sale – as a piece of public art or an interactive museum exhibit. That is how Flynn earns his livelihood. [Full Story]

Column: Noam Chomsky Walks into a Bar

[Editor's note: David Erik Nelson writes a monthly column for The Ann Arbor Chronicle called "In it for the Money."

David Erik Nelson, Noam Chomsky

At the end of the interview. DEN: Do you mind if I take a picture of us? NC: Sure. I’ll put my glasses back on so people will know it’s me. DEN: You actually look remarkably like yourself. [Chomsky laughs.]

Instead of his regular column, this month we’re publishing a piece Nelson wrote based on an interview he conducted with Noam Chomsky a few weeks ago, when Chomsky visited Ann Arbor. The piece includes long chunks of transcript, interspersed with commentary from Nelson. It begins with Nelson, whose thoughts are presented in italics throughout.]
I’m interviewing Noam Chomsky in the bar of the Campus Inn a block from the University of Michigan campus in Ann Arbor, Michigan. The bar is dim and entirely abandoned at 10 a.m. on a Friday morning. Because I’m highly distractible, I can’t help but periodically marvel at the symmetry of this: I only ended up interviewing Noam Chomsky at all because I’d Tweeted a link to a joke about Heisenberg, Gödel, and Chomsky walking into a bar [1], and Dave Askins (editor of this fine publication) had responded by noting that Chomsky would be speaking at the University of Michigan a week or so later, and essentially dared me to interview him.
I’d agreed, on the assumption that it would be impossible to land an interview with the man almost universally regarded as America’s foremost public intellectual. I was wrong – and Chomsky chose the bar as our quiet little nook! It was almost too good to be true: Noam Chomsky walks into a bar and … and …
And lemme tell you, there is more than a little pressure inherent in being the straight man in a classic joke set-up, even if the set-up is only in your head – which is germane, since from Chomsky’s perspective, it’s the conversation in your head that is most essential to the nature of language.
[Full Story]