The Chronicle’s November milestone column comes to you a few days earlier than the customary second day of the month. That’s because I wanted to include a quick preview of a performance scheduled for Nov. 1 at the Kerrytown Concert House – by mezzo soprano Laurie Rubin.
The Chronicle has rarely, if ever, written about entertainment. And as I explained to Laurie, when she called me up to make her pitch, our approach to covering Ann Arbor’s community doesn’t include standard “preview” pieces for live performances.
The boilerplate explanation I typically use on the phone includes a description of The Chronicle’s preferred strategy for giving readers advance notice of interesting performances. That strategy is an event listing that runs off Internet standards-compliant data feeds and helps to strengthen the community’s “calendar web.” So obviously the tactic here is partly designed to bore the caller to death, so that they’ll just give up and accept the fact that I’m not going to write a preview article about their performance.
You will find Laurie’s Nov. 1 Kerrytown Concert House performance included in The Chronicle’s event calendar, categorized as music.
Fortunately for you, dear readers, Laurie declined my gambit that she surrender to my boring, rambling talk about data feeds and technology platforms. Instead she expressed a weirdly geeked-out interest in these data feeds and calendars, which I probably seemed very excited about. She instantly grasped the concept of maintaining a calendar that automatically generates a data feed that any publication or individual can access. I didn’t figure that an opera singer would be such a receptive audience for that sort of thing. But at least she had stopped talking about her Nov. 1 performance at Kerrytown Concert House, so that was a good thing, from my point of view.
But in closing out the conversation, Laurie renewed her pitch for a preview article, based on her memoir, “Do You Dream in Color: Insights from a Girl Without Sight.” Even though I was still thinking to myself, “No preview articles! Not even for blind opera singers!” I figured Laurie might be a receptive audience for some additional conversation about a different topic.
That topic is an accessibility project for public meetings that The Chronicle has been working on somewhat sporadically. The idea is to provide digital streaming text for members of the deaf and hearing-impaired community to read – either live at public meetings or during a video replay. Yes, I fully understood that I was talking to a self-described “blind girl” – for whom this particular accessibility project offered zero obvious benefit. Yet Laurie turned out to be a willing conversation partner. And in The Chronicle’s basic technological approach, she saw a potential benefit to the blind and visually impaired community that would never have occurred to me.