Participants in the Cinema & Yoga fundraiser for the 48th annual Ann Arbor Film Festival take part in a sample class at the Ann Arbor School of Yoga. (Photo by the writer.)

Laurie Blakeney inhales, and so do the group of people sitting on the floor in front of her. She exhales, humming, “Ommm….”

After her voice trails off, the group in front of her does the same in a synchronized echo: “Ommm…”

The sound fills the high-ceilinged space, imbuing the atmosphere with something relaxing, spiritual. Filmable, even.

Blakeney, an instructor and owner of the Ann Arbor School of Yoga, is leading a sample class as part of a fundraiser for the 48th annual Ann Arbor Film Festival. The Chronicle dropped by for the Aug. 14 Cinema & Yoga event, which included a screening of films from last year’s festival after the yoga. It’s an example of something that the festival’s director, Donald Harrison, says they’re working hard to do: Finding creative, diverse ways to bring in money.

“This Is Your Root Structure”

Blakeney – a cheerful woman in a pink T-shirt and purple shorts (but no shoes – a standard state for students and visitors to the school, since bare feet are required in the classroom) – greeted the Cinema & Yoga participants as they arrived, clad mostly in T-shirts and shorts similar to hers.

They left their shoes on a wooden set of shelves near the door and entered the large, cool classroom. There, they laid down blue rectangular mats, along with folded blankets and wooden blocks slightly smaller than shoeboxes.

Tracy Briney, sitting cross-legged on her mat, explained that she’d come to the fundraising event because it combined so many things she loves. “I love film. I love yoga,” she said. “And they’re all here tonight.”

Briney also said that although she isn’t involved with the film festival otherwise, she supports “everything Laurie [Blakeney] does.” She said she’d been taking classes with Blakeney for eight years.

Susan Bellinson, another long-time student of Blakeney’s, said she was there for the film festival as well as the yoga. “I think it’s very important that the community support the arts, because the arts are important for quality of life.”

Susan’s husband Tom came along for the ride. “I’ve never done yoga before,” he admitted with a wry smile. “I’m just hoping not to have sore muscles.”

As she took her place on an elevated platform at the front of the room, Blakeney explained that the class wasn’t meant to be too strenuous. “The whole point of these sample classes is to have a taste, have a nice little stretch with each other,” she said.

Laurie Blakeney of the Ann Arbor School of Yoga (standing) instructs Ann Arbor Film Festival executive director Donald Harrison, Tom Bellinson and his wife Susan Bellinson during the Cinema & Yoga fundraiser for the film festival. (Photo by the writer.)

After the initial chanting at the beginning of the session, Blakeney guided her students through a variety of positions, using the blankets and blocks for support. They stretched, leaned, twisted, jumped, bent, balanced and breathed. Blakeney called out advice and encouragement:

“Try to drop your legs. Lift up through your chest.”

“Your foot can’t be like a little, tight bud. This is your root structure.”

Donald Harrison, the festival’s executive director, took part in the yoga. He told Blakeney about some tightness in his ankles, and she called out to him with tips on how to remedy the issue in different poses.

After an hour, they ended the class lying flat on their backs with their eyes closed and limbs spread. “Absolutely drop your brain to the back of your skull,” Blakeney instructed.

Food, Films, Fundraising

After the class ended, everyone headed to the basement to munch on a spread of crackers, hummus, carrots, cheese and more from Whole Foods – the store donated the food, according to Blakeney. “Donald [Harrison] and I like to go shopping together to buy the food for this,” she joked. “So, that’s why we do this.”

After the participants, still barefoot, finished their food, it was time for movies. Harrison gave a short introduction to the seven-film, one-hour program.

The festival has already received 600 submissions from 40 countries for next year. Last year, they received about 2,600 films for consideration, Harrison said. It’s also a qualifying festival for the Academy Awards.

“There’s not a lot of festivals out there that have that status,” Harrison said.

The films included “Dahlia” by Michael Langan, which offered a sort of stop-motion montage of San Francisco (flowers, people, parking meters). Then there was Peter Rose’s transillumination study, which showed various spaces – like building entryways and caves – lit in segments. Other films were less abstract and more documentary-style: Nicole MacDonald’s “A City to Yourself,” for example, examined the decline of Detroit.

Blakeney, who’s been teaching yoga in Ann Arbor for 32 years, said she got started fundraising for the festival three years ago. “That was when the funding for the arts really got cut and the film festival was in trouble,” she said.

That was the time when some Michigan legislators, citing films they found objectionable, pushed to yank state funding for the festival and put restrictions on funds awarded through the Michigan Council for the Arts and Cultural Affairs. Rather than agree to restrictions on content, the festival’s board decided not to apply for state funding. They later filed a lawsuit to overturn the restrictions, which the state repealed in late 2007.

Harrison recalled the funding crisis that originally led to the festival’s partnership with Blakeney. Community members and organizations like the yoga school rallied behind the festival and helped it pull through that rough spot, Harrison said.

Although there’s no “immediate crisis” in terms of finance now, Harrison acknowledged that it’s still a difficult time, with arts organizations facing funding cuts due to the economy.

“I think you have to be creative and find diverse ways of bringing in money,” Harrison said.

Putting on the festival costs approximately $400,000 to $500,000, Harrison said. In addition to individual community donors, local businesses also contribute to funding. (According to the AAFF website, Zingerman’s, Weber’s Inn and Michigan Radio were among the corporate sponsors for last year’s festival.) Other revenue sources include The Warhol Foundation and National Endowment for the Arts, submission fees from filmmakers, ticket sales, membership dues, and income from the festival’s traveling tour. Other fundraising efforts include putting out DVD collections and licensing the films they showcase.

In an email follow-up after the Aug. 14 fundraiser, Harrison said this year’s Cinema & Yoga event raised $400 – less than half of the $1,000 it brought in a year ago. The decrease is perhaps reflective of a more challenging fundraising climate, he said, but the event was an important contribution as part of the festival’s outreach and education efforts.

The festival will continue to look for ways to deepen its ties to the local community, Harrison said. Though they recently made MovieMaker magazine’s list of top 25 coolest film festivals, AAFF doesn’t have the kind of broad support Harrison would like to see from their Ann Arbor base, and he hopes to change that. The festival is launching a membership drive in September, and they’ll be hosting more than a dozen screening salons this fall – including a free public screening at the Ann Arbor District Library on Oct. 22 – to engage more people in the process of screening festival submissions. In terms of manpower, the festival recently hired a new community development manager, Becca Keating, to focus on outreach and fundraising efforts.

“It’s a challenging time to be an arts nonprofit,” Harrison told the group at the Cinema & Yoga event. “It just means we have to work a lot harder. We’re continuing to reach out to the community.”

The 48th annual Ann Arbor Film Festival will take place from March 23-28, 2010. Submissions are currently being accepted.

About the author: Helen Nevius, a student at Eastern Michigan University, is an intern with The Ann Arbor Chronicle.

Randy Tack of Eastman Kodak provides technical assistance shooting a vignette on South State Street.

On Saturday morning, as The Chronicle shot photographs on South State Street just outside the UM School of Art and Design’s Work Gallery, a young pair walked past: “Ann Arbor is not a photo opp,” said one. “It is if you’re not from around here,” replied the other.

It wasn’t clear if they meant The Chronicle, or Randy Tack, who works with Eastman Kodak as a cinematographer, training people to use 16mm cameras. Tack was setting up a shot with some folks who’d responded to an announcement for Stop By Shoot Film, a program specifically designed to introduce people to the cameras.

The vignette they were working on Saturday morning involved a skateboarder who glides past a young woman who was standing amongst some slightly larger-than life straw men.

Tack explained that Kodak, as a sponsor of the Ann Arbor Film Festival, used the Stop By Shoot Film program as a way to promote one of the festival’s main formats: 16mm. The vignettes that he helps people make shooting out on the street will be included in a DVD that the festival produces. Tack drove to Ann Arbor from Rochester, New York, where Eastman Kodak is headquartered.

A city parking enforcement officer (left) brings the Art Car a little further back to ensure sight lines to the stop sign. At right is Russ Collins, director of the Michigan Theater,

A second Stop By Shoot Film crew was working outside the Michigan Theater later in the day, and documented the arrival of the Art Car, which was created in connection with the Midwest premiere of Harrod Blank’s film “Automorphosis.” The film looks at the automobile as a vehicle for creativity. The car was designed and created by Blank in collaboration with  Zack Jacobson-Weaver, materials fabrication coordinator at UM School of Art & Design. Construction took place from Wednesday night through Saturday at the school’s studios.

The Art Car arrived at Michigan Theater about an hour before the scheduled showing of “Automorphosis,” driven by Blank with Michael Flynn as a passenger. Flynn said he’d helped only a bit with the construction of the car.

When a community standards officer (parking enforcement) from the city of Ann Arbor strolled over to the car, there was momentary uncertainly about whether the Art Car would be given a parking ticket. But the officer quickly established that his only concern was that the car blocked sight lines to the stop sign at Liberty and Maynard. Blank complied with a request to move the vehicle 10 feet backwards.

Perhaps by now you’re wondering where Harrod Blank slept while he was in town. Answer: at the home of Susan Wineberg and Lars Bjorn, who have hosted film festival folks for the last three years. They said they had not seen much of Blank, because he’d been working pretty much straight through on the car construction.

The Ann Arbor Film Festival continues on Sunday, March 29, its final day, with programs in the early afternoon, plus a presentation of awards starting at 6 p.m.

Heads made of straw need protection, too. Part of the vignette set up for the Stop By Shoot Film project on South State Street.

The straw man shot was filmed from across the street. With his back to the camera is John Philips, who helped on the vignette.

We picked this photo among many other possible shots. In the background, Harrod Blank talks to a parking enforcement officer about where he needs to move the Art Car.

Susan Wineberg and Lars Bjorn pose in front of the car that their house guest, filmmaker Harrod Blank, constructed over the last three days.

The Stop By Shoot Film cameraman films The Chronicle photographing him filming The Chronicle photographing him filming the Chronicle photographing ... Asked Michael Flynn about the scene: "Is anybody Twittering?"

The construction crew on the Art Car.