Stories indexed with the term ‘bookmaking’

Column: Good News for Book Artists

A group of people in this city care so much about the art of making books that they’ve launched a center dedicated to it, one that will pass down an artistic tradition while incorporating cutting-edge technologies to widen its boundaries.

Jim Horton, boundedition, bookmaking, The Ann Arbor Chronicle

Printmaker Jim Horton at the boundedition studio on May 16 with his Chandler & Price letterpress, made in Cleveland in the 1930s.

Its founders call boundedition a “member-based community resource for the preservation, practice and expansion of the book and paper arts.” They call themselves its managing members: bookseller Gene Alloway, book artist Barbara Brown, graphic designer Laura Earle, printmaker Jim Horton, and product designer Tom Veling, a retired Ford Motor Co. engineer.

They were moved to act when Tom and Cindy Hollander announced last summer that Hollander’s School of Book and Paper Arts would close its doors after the spring 2013 session. The school operated on the lower level of the Hollander’s Kerrytown store for more than 10 years.

Brown, a longtime teacher of bookbinding classes at Hollander’s, reached out to fellow teacher Horton as well as Earle, Veling and others who met weekly at the open studio there. Serious discussions began in February, Horton says, when “we decided that what we’d done at Hollander’s was too good to give up.”

Earle, whose family has been involved with Ann Arbor’s Maker Works, was instrumental in finding a home for boundedition inside the member-based workshop at 3765 Plaza Drive. Maker Works’ managers were receptive to letting boundedition rent some space, and Brown says Earle, her husband and her son “pretty much built the office singlehandedly” – including a set of modular work tables that can be arranged according to the requirements of individual classes.

Brown credits Earle’s energy and determination for the speed with which boundedition took shape. “It would have happened,” she said, “but Laura made it happen now instead of later.”

Ann Arbor’s community of book artists and book lovers got a chance to look around at a May 16 curtain raiser. Tom and Cindy Hollander were in attendance; Horton reports that they’ve given boundedition “a thumbs up” and Brown says “Tom has really been very supportive.”

An open house is coming up on Sunday, June 2, from 1-6 p.m. “The whole community is invited to come out to see the space,” Horton says, “to sign up for classes, to let us know if they’re interested in teaching classes.” [Full Story]

Column: Book Fare

The Kerrytown BookFest’s Community Book Award, which honors local contributions to publishing and book arts, will go to Tom and Cindy Hollander when the festival returns for its 10th year on Sunday at the Ann Arbor Farmer’s Market.

Cindy and Tom Hollander

Cindy and Tom Hollander. (Photo by M. Morgan)

Chief among those contributions is Hollander’s School of Book & Paper Arts, which for almost 20 years has offered workshops, classes and studio space for book artists (my husband among them) and drawn students and teachers from around the country to Ann Arbor. So there is more than a touch of irony in the timing of Sunday’s award: When the 11th annual BookFest rolls around, the school will be no more.

I talked to Tom and Cindy earlier this week about their decision to close the school at the end of the spring 2013 term. In response to what they describe as diminishing enrollment, they say they are stepping away from one branch of a business that has expanded dramatically from the tiny shop on the second floor of Kerrytown Market & Shops in 1991. Today, the main floor of Hollander’s offers a lavish collection of fine papers and stationery, desk sets, decorative boxes and gifts along with bookbinding supplies; Hollander’s Kitchen Store is upstairs.

“When we opened our store,” Cindy said, “I can say I never heard the word ‘book art.’” But by 1994, she and Tom were teaching workshops and by 2002, they were using the lower level of their Kerrytown space for the Hollander’s School of Book & Paper Arts. Tom gives some credit for that expansion to local book artist Barbara Brown, who in the mid-1990s was leading occasional workshops at Hollander’s while also attending summer sessions at the American Academy of Bookbinding in Telluride, Colo.

“She’d come back after taking these classes,” Tom said, “and she really talked it up” – eventually persuading him to check things out for himself. “I’d been around the next level [of book arts] for long enough that I got interested in more than just business – I was ready for something different,” he said. “I wanted to go to the next level myself.” [Full Story]