Stories indexed with the term ‘theater’

The woman is swaying in her seat, inhaling in a drunken hiss and dragging her feet along the floor. The driver stares straight ahead, looking mildly uncomfortable.

Grinning, her head wobbling slightly on her neck, she leans as far forward as possible and whispers loudly to the cabbie, “I looove you!”
The other people in the room – and the director, Paul Bianchi – laugh.

The woman and the man acting as the cabbie are seated in two chairs in the middle of the Ann Arbor Civic Theatre studio in downtown Ann Arbor – a high-ceilinged, mostly empty room with a wood-paneled floor and a piano at one end. It’s an evening in early June, and they’re auditioning for “Hellcab,” a play depicting a day in the life of a Chicago cab driver.

A day in the life of AACT itself is challenging in a different way. Like virtually all nonprofits, including those in the performing arts, the local theater faces some less-than-entertaining concerns this season. Although leaders of the theater say it isn’t in crisis, the nonprofit has made some cuts to save money, and is trying to get creative about ways to bring in revenue. [Full Story]

Regular Chronicle readers know we’re  big fans of the odd and inexplicable. That served us well on Saturday night, when we attended a performance by Pat Oleszko, visiting artist at the University of Michigan School of Art & Design.

In fact, “Gulliblurr Travels: A Space Oddity” drew a lot of other Ann Arbor absurderati to the Duderstadt Center’s Video Studio, including Dave Devarti, Elaine Sims (of the Ann Arbor Public Art Commission), and Shoshana Hurand (one of the lead FestiFoolers, taking a break before Sunday’s main event). We’d been alerted to this one-weekend-only show by Kath Weider-Roos, director of UM’s PLAY Gallery – she and her husband John Roos (of Roos Roast) were also in Saturday’s packed audience.

So what did we all see? [Full Story]

The stage in Huron High School’s theater is stark, as is the play that students are rehearsing: A community coming to grips with the murder of Matthew Shepard, an openly gay college student who was murdered in Laramie, Wyoming, 11 years ago.

“The Laramie Project,” which opens Friday, was a choice that several students in the Huron Players theater group advocated for, says director BJ Wallingford, and one that he’s personally wanted to do for years. The play is not without controversy – it’s one that is frequently protested by the ultra-conservative Westboro Baptist Church, and were it not for efforts by the Ann Arbor Police Department, protesters would have descended on Huron High as well. More on that later.

At a rehearsal on Monday, actors went through their paces and the technical crew worked out glitches in lighting and audio in the school’s new theater, which opened last fall. The play itself is powerful, a challenge for both actors and the audience in confronting people with attitudes and beliefs that often differ fundamentally from their own. [Full Story]

They aren’t bound for Broadway – with roles like “Man with a Monstrous Chin” and “Laundress Vicky” – but on Saturday morning about a dozen folks from the community joined professional actors at Performance Network Theatre to rehearse for a benefit show of Dickens’ “A Christmas Carol,” to be performed Sunday night, Dec. 21.

The script is a new adaptation by David Wolber and Joseph Zettelmaier, and is directed by Wolber. It is a “staged concert reading,” meaning that the cast will read from scripts during the performance. The show, a benefit for the nonprofit theater group, begins at 7 p.m. on Sunday.

The Chronicle dropped by to catch a few minutes of the rehearsal, which started at 9 a.m. We got there at the end of Act I, just as WUOM’s Charity Nebbe was breaking up with Scrooge, played by PN regular John Seibert. (She was gentle about it.)

Here are a few photos from the morning’s theatrical workout. [Full Story]

With its first show of the season opening Sept. 18, Performance Network Theatre threw itself a party Sunday evening to highlight this year’s upcoming productions.

The set was an after-hours Downtown Home & Garden, and amid the tools and hay bales, performers, playwrights and directors were on hand to give brief talks about their shows.

[Full Story]