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The author's well-worn, 1965 edition of "The Happy Prince" by Oscar Wilde.

Christmas is over. Was everyone properly grateful?

You know who we’re talking about here, even though there are certainly none of them in your family. We’re talking about that little sugar plum who works up a sweat ripping open loot and caps the frenzy with, “Is this all?” Or the tot, her golden curls still sleep-tousled, who tears enough paper off each present to see if it’s worthy of further attention and, if it disappoints, chucks it aside for the next one.

A woman I know recalls the Christmas her brother visited with his family; the little darlings plowed through the booty in the twinkling of an eye, allowed themselves a few minutes to fight with each other and then demanded to go back to the hotel pool because they were bored. Visions of stuffing them in a coal sack and dumping them into the deep end danced in Auntie’s head.

This time of year always gets me thinking about Oscar Wilde’s “The Happy Prince,” a fairy tale guaranteed to bludgeon a sense of empathy into the most irredeemable of brats.

Here’s the gist: A gilded statue of a prince looks over a city governed by self-satisfied dolts and peopled by a few aristocrats, some merchant types and a whole bunch of people who these days are called “the underserved.” Along comes a swallow who is late migrating to Egypt for the winter because he fell in love with a slender reed and hung around hoping, in vain, that she’d come away with him.

He stops for the night at the feet of the golden statue but is soon disturbed by what he thinks are raindrops; in truth they are tears, falling from the Happy Prince’s sapphire eyes. Turns out the Prince, who enjoyed an opulent, pleasure-filled existence oblivious to the suffering of his subjects, is spending his afterlife with a spectacular view of their misery.

The not-really Happy Prince persuades the swallow to peck the fat ruby out of his sword hilt and carry it to this destitute seamstress who is working late into the night embroidering passionflowers on a ball gown for a snotty maid-in-waiting to the queen. The seamstress’s feverish son is crying for oranges, but all she can afford for his comfort is cold water from the river. (BTW, do you know how many hundreds of dollars can be spent on a set of Legos?)

Then comes the freaky part: the Prince talks the swallow into plucking out his eyes. The swallow balks; he has fallen in love with the Prince, you see (animal on vegetable, animal on mineral: this Wilde bird swings both ways), and can’t bear to blind him. But before long one of the eyes ends up with a poor little match girl and the other with – get this – a struggling playwright, who greets the mysterious appearance of the sapphire thusly: “I am beginning to be appreciated; this is from a great admirer! Now I can finish my play.”

By this time the swallow has bagged Egypt to devote himself to his beloved Prince, and spends his days tearing gold leaf off the statue and raining it on ragged children delirious at the prospect of dinner. Winter comes and, well, you can guess what happens to that swallow. The town’s leading citizens find that the once-gilded Prince has deteriorated into an eyesore where birds go to die, and order it hauled away. As the story ends, the burghers are fighting among themselves over who gets to pose for the new statue and an angel brings the dead swallow and the Prince’s cracked leaden heart up to Heaven, where they belong.

If your kid makes it through this story without crying, you need to lock up the steak knives and find a safe home for the family pet.

“The Happy Prince” also gets you thinking about the uses of public art – a timely local topic that gives me the tissue-thin cover to file this column with The Chronicle.

There’s been some outrage about the money at the disposal of the Ann Arbor Public Art Commission; right now it has about $1.32 million in the bank. More than half of that appears to be earmarked for an outdoor water sculpture by German artist Herbert Dreiseitl, which is being proposed as an installation at the municipal center still under construction next to the Larcom building.

This money, some critics argue, is desperately needed elsewhere in these tough economic times. Others argue that local funds should finance work by local artists (such as my husband, who wishes a sapphire eye would come flying through his window).

It’s a tough choice, always. Public money requires careful stewardship. There are solid arguments for guns and for butter. But shouldn’t any civilized society worthy of the name treat itself to the occasional feather boa? Besides, that water sculpture will be a cool blessing for Ann Arborites who have embraced the myriad benefits of downtown living and can’t afford oranges anymore.

“The Happy Prince and Other Stories” is available at Nicola’s Books in Ann Arbor’s Westgate Shopping Plaza, at the intersection of Jackson and West Stadium. About the writer: Domenica Trevor is a voracious reader who lives in Ann Arbor.

We’re sleeping in this morning. But we’ve programmed two replacement staff to fill in for a few hours while we enjoy some holiday nog. After the jump you can verify that The Chronicle is still in capable hands.

Thanks,

Mary and Dave

Santa reads "Twas The Night Before Christmas" to a slightly restless audience.

“Who wants to see Santa?” Lucy Ann Lance called out to the kids who packed the sanctuary at Bethlehem United Church of Christ on Saturday.

“Me!” came the shouts, as tiny hands waved in the air. “I do! I do!”

A few minutes later they got their wish, as the crowd sang “Santa Claus Is Coming to Town” – and in walked the merry old man himself.

This was the 14th year that the Ann Arbor Symphony Orchestra has held a holiday sing-along, but perhaps the first time for some of the tots in the audience who were not yet walking. For those a bit older, the appearance of Santa – who looked a little like Charley Sullivan, the A2SO’s former education coordinator – was definitely the highlight.

Lucy Ann Lance was emcee for the afternoon, and led the audience through favorites like “Frosty the Snowman” and “Jingle Bells” (though not the variation with “Batman smells”). During some of the songs she roamed the aisles, holding a mic up to anyone brave enough to belt it out for the crowd – including one little girl who might just have a theatrical career in her future.

Xiao Dong Wei plays the erhu, a traditional Chinese instrument.

Theatrics weren’t required for “The 12 Days of Christmas,” but a bit of athleticism was. The audience was divided into 12 sections, one for each day, and for each chorus the sections would stand as they sang their part. This meant quite a workout for “A partridge in a pear tree,” but not so much for the folks in the balcony (including The Chronicle), who stood and sang “twelve drummers drumming” exactly once.

The event had an international theme this year. Xiao Dong Wei – a musician who has mastered the erhu, a traditional Chinese instrument – played five pieces, accompanied by Erin Zurbuchen on bass and Lori Zupan on piano. The Chronicle will never again hear “Feliz Navidad” without remembering how this Mexican song sounds played on a Chinese erhu.

The international music continued after the program, when the audience went downstairs for cider and cookies. While kids waited in line to see Santa, a group of UM students from PERMIAS – an Indonesian student association on campus – played “Jingle Bells” using the angklung, a traditional Indonesian instrument made of bamboo.

Similar in some ways to a handbell, each angklung is tuned to a single note, so the song is played by an ensemble, with each person playing one or two notes (depending on the number of angklungs they can handle). The group will be having a performance of more traditional Indonesian tunes early next year, and promised to send The Chronicle details of the time and location when they are available.

Santa shares a secret with one of the children who lingered after the reading of "Twas The Night Before Christmas."

Lucy Ann Lance holds the mic for a young singer.

A large tree in the sanctuary of Bethlehem United Church of Christ made a great background for taking photos before and after the sing-along.

Mary Steffek Blaske, executive director of the Ann Arbor Symphony Orchestra, stands next to Lucy Ann Lance, who was the afternoon's emcee.

Gail Jennings, organist for the Bethlehem United Church of Christ, played before the start of the sing-along.

Lori Zupan, A2SO's business manager, played piano accompaniment for Saturday's sing-along.

Santa swings in his seat while Erin Zurbuchen and Xiao Dong Wei play "Feliz Navidad."

Erin Zurbuchen, an A2SO member, on bass.

The Milan Middle School Honor Choir Ensemble performed the German and English versions of "Silent Night." They're directed by Shayla Powell who's barely visible at the piano. Not necessarily in this order are Emma Brousseau, Rachel Hill, Travis Matts, Jacob Simmons, Clarice Wieseman, Brieann Zoltowski.

Three members of the Milan Middle School Honor Choir Ensemble.

Mary Steffek Blaske explains which part of the audience will sing the "Five Golden Rings" part of "The 12 Days of Christmas."

Jingga Inlora plays "Jingle Bells" on the angklung, an Indonesian bamboo instrument.

A member of PERMIAS, a UM Indonesian student association, plays two angklungs, each one producing a different note.

Trading a candy cane for an angklung?

After the sing-along, Santa stayed around for some photo opps.

Santa gets his photo taken again.

Two girls who were nice get to pick a gift from Santa's basket.