Stories indexed with the term ‘public art’

Ann Arbor City Council Meeting Part II (April 6, 2009): We’ve already summarized council’s deliberations on the A2D2 rezoning effort in a previous report.

Here we focus on other business handled by council and topics raised during public commentary at that same meeting. Much of it was related to streets – whether it was vacating them, closing them for special events, or repaving them. The other major theme, as reflected in comments from the public, was public art.

We also include some evidence that the art of the handwritten thank-you note is not dead. [Full Story]

Ann Arbor City Council meeting (March 2, 2009): Whatever chance for controversy that might have been present in the Ann Arbor’s City Council meeting agenda on Monday evening was eschewed in favor of values statements. These expressions of values were reflected in many of the agenda items themselves. We’ve organized our account of the meeting in terms of values related to the following topics: water, the arts, land, energy, history, and democracy. [Full Story]

Since The Chronicle launched last fall, we’ve been covering the monthly meetings of the Ann Arbor Public Art Commission. At that first meeting we attended in October, the group discussed a project to take inventory of all the public art in the city – the idea is to create a database that can eventually be accessed by the public, giving details of where each piece of art is located, who the artist is, and any other relevant information.

Separately, we were later contacted by a Chronicle reader who said she’d like to see a series about public art in the city – essentially, the same kind of thing that AAPAC is compiling. So until their project is online, The Chronicle will be taking up our reader’s request in an occasional look at this city’s public art. In our definition, we’ll look at art on public and private buildings, as long as it’s visible to the public. We’re starting with something that’s connected to the field of journalism: the Art Deco reliefs on the Ann Arbor News building. [Full Story]

Public Art Commission (Feb. 10, 2009): With two new commissioners and a newly-hired administrator on board, the Ann Arbor Public Art Commission spent a good portion of Tuesday night’s monthly meeting discussing the need to  communicate better with the public and to educate them about the value of public art in Ann Arbor. That issue was in response to a Feb. 3 Ann Arbor News article – and the comments posted after it by eight readers – about the commission’s decision to enlist German artist Herbert Dreiseitl to design a waterscape installation at the police-court building, which will begin construction in April. The comments from News readers weren’t exactly supportive of that choice, or of the $72,000 that Dreiseitl is requesting for his initial design work, which represents about 10% of the potential $700,000 total price tag. [Full Story]

Washtenaw County Board of Commissioners (Jan. 21, 2009): A light agenda for the county board on Wednesday included the presentation of a major art project, a report on efforts to partner with other municipalities for shared services, and appointments of commissioners to various committees. Rolland Sizemore Jr. led his first full board meeting as its new chair, and Kristin Judge led her first meeting as the new vice chair of the Ways & Means Committee – Conan Smith, the committee’s chair, was absent. [Full Story]

Public Art Commission (Jan. 13, 2009): Tuesday night’s meeting of the Ann Arbor Public Art Commission covered a lot of territory, from updates on specific projects to concerns over a contract delay for the newly hired administrator, and the as yet non-appointment of Cheryl Zuellig to the commission. But commissioners spent a small portion of their meeting deciding to hold two parties – and who doesn’t need a little party planning to heat things up on a cold winter night? And if you stick with this article, you’ll also find out which artist is a direct descendant of Ann Allen. [Full Story]

Editor’s note: We’ve retooled our Meeting Watch headline format. The previous template was “Meeting Watch: Public Body Name (Date).” Headlines for these articles will now follow common headline conventions. To make up for whatever was lost, we’ve created a category called Meeting Watch. Clicking on the Meeting Watch category label at the bottom of an article or in the footer of the page will give a chronological sorting of all Meeting Watch articles. We’ll begin applying this category to previous Meeting Watch articles as resources permit.

Public Art Commission (Dec. 9, 2008) Tuesday’s meeting of the Ann Arbor Public Art Commission was the last one for two of the members. John Hieftje, the city’s mayor, dropped by for a brief visit, and the group discussed the recently hired administrator and got updates on several ongoing projects. [Full Story]

A major step forward on a public art installation for Ann Arbor’s new municipal center was among several updates at Tuesday evening’s meeting of the Public Art Commission. Another potential project – called SoundFall – is moving ahead with a formal presentation planned in December.

[Full Story]

Ted Kennedy bought his house on East Kingsley in May, and is interested in how people react to the stuff he puts in his yard. He’s hung empty picture frames from trees – you know, that kind of thing (more on that later). On Wednesday, he did a performance art piece that involved a petting zoo, which looked a lot like … just a petting zoo.

Now, if you’re driving or walking through downtown Ann Arbor’s residential streets, you might not expect to encounter, say, a Clydesdale – especially not in someone’s front yard, with an alpaca, two goats, a duck, chicken and Shetland pony named Bronco. You’d probably stop to look. You might think, “Huh?” Or you might take some photos and send them to The Chronicle, which is what Ari Sussman did.

People were pretty confused by it, Kennedy says. Which was sort of the point. Plus, it was fun. [Full Story]

The Ann Arbor Public Art Commission held its monthly meeting on Tuesday, with much of the group’s discussion focused on setting up a process for handling projects. That includes AAPAC’s first large project: public art for the new municipal center. [Full Story]

The alley next to Michigan Theater transformed pretty quickly over the summer from a colorful, artistically-coherent mural to a colorful collage of random graffiti – prompting Mr. Limpet to ask, “Where’s the Art?”

In early July, someone painted a swath of white over part of the mural called “Infinite Possibilities,” which had been created there in 1999. The Ann Arbor News ran an article about the incident, interviewing the artist, Katherine Tombeau Cost, who now lives in New Orleans. She said it had taken her five months to complete, but she wasn’t ticked off by the graffiti: “The thing about public art it is an exercise in letting go. You put it out there and you know it is not forever. I have to remind myself this isn’t my family room. That is the element of public art. It will be great and it will be gone.”

And now it’s really gone. [Full Story]

For folks passing through Kerrytown – whether to Zingerman’s Deli, Kerrytown Market & Shops or the farmers market – it’s easy to overlook the backside of Community High School. But two new banners that now adorn its outer back walls aim to bring attention to the school and add some public art to the Kerrytown district.

Ansted Moss, a Commie High senior, designed the two 24-foot by 12-foot vinyl pieces, which are stretched like a canvas over metal bars facing South Fifth Avenue. They were hung over the course of two days – using a cherry picker lift – just before school started.

Kris Hermanson, who taught art for 30 years at CHS before retiring two years ago, describes them as “elegant, yet edgy and original.” [Full Story]