Stories indexed with the term ‘public art’

William Dennisuk is still waiting for the state to sign off on a public art installation that could dot a stretch of the Huron River with large vase-like sculptures. As he waits, he spends most of his days in a studio, hoping to complete the project before he returns to Finland later this year.

The Chronicle first met Dennisuk – a visiting artist and lecturer at the University of Michigan School of Art & Design – when he came to the October 2009 meeting of the Ann Arbor Park Advisory Commission. He described his project, called Vessels, as a way to bring together the city and campus communities, and to raise awareness about how we interact with the natural world.

When The Chronicle dropped by the art school’s studio recently to get an update on the project, Dennisuk said that working through the required approval process took longer than expected. Also taking longer than projected was working through his own learning curve for some new techniques he’s trying with these sculptures.

Although he had hoped to install his artwork in April, now it looks like late May will be a more realistic goal. [Full Story]

Ann Arbor Public Art Commission (March 9, 2010): AAPAC commissioners moved ahead on several projects during their Tuesday meeting, selecting an artist for a public art project in West Park, refining an online survey to get feedback from the public, and reviewing a gift policy for people who want to donate artwork to the city.

There’s still no word from Herbert Dreiseitl, the German artist who’s been commissioned to construct a water sculpture in front of the new municipal center at Huron and Fifth. The city has been trying to contact him about two interior pieces for the building. Katherine Talcott, the city’s public art administrator, reported that he might be coming to town in mid-April to work on the larger project, which is budgeted for nearly $740,000.

In other business, commissioners approved a set of AAPAC guidelines that have been under review – mostly by the city attorney’s office – for nearly two years.

The group also hashed out some issues related to a partnership with the Ann Arbor Downtown Development Authority. As part of its Fifth and Division street improvements, the DDA has set aside about $60,000 to spend on public art at Hanover Park, at the corner of Packard and Division. They’re asking the art commission to take the lead on that project. [Full Story]

Ann Arbor City Council meeting (Feb. 16, 2010): Looming budget decisions were a prominent part of the council’s meeting. Around a dozen speakers addressed the council during a public hearing on housing and human services needs – the input will be used by the office of community development in making recommendations for city general fund expenditures.

The approval of a contract extension for the city’s public art administrator generated a great deal of discussion – partly concerning the dollar amount of the contract – and was passed despite dissent from three councilmembers.

But the council postponed a resolution that would have cut the base salaries of the city administrator and the city attorney by 3%, and would have directed the administrator to cut the salaries of non-union employees by 3% as well.

Another prominent theme of the meeting was real estate and infrastructure. Council approved the acquisition of a property within the city limits – a portion of the Black Elk’s site on Sunset Road – using greenbelt millage funds. They also approved the capital improvements plan (CIP), modified to delete an item for the extension and shifting of a runway at the Ann Arbor municipal airport. [Full Story]

Ann Arbor Public Art Commission (Feb. 9, 2010): In a three-hour meeting that included some heated exchanges, members of AAPAC reviewed public art projects in various stages of development, including those for West Park, Fuller Road Station, Hanover Park and the new municipal building.

An update on Herbert Dreiseitl’s work for the municipal building revealed that two interior pieces – originally part of three pieces proposed for the site, but set aside because they came in over budget – are being reconsidered. Dreiseitl plans to resubmit a design and pricing for the two interior pieces later this month, and is expected to return to Ann Arbor in mid-April to work on the already-approved outdoor sculpture in the building’s front plaza.

Also during Tuesday’s meeting, AAPAC members debated how best to get input from the public, with some members questioning the effectiveness of repeating an event that last year drew 30 people. [Full Story]

At a special meeting of the Ann Arbor Public Art Commission on Thursday, commissioners moved ahead on a project to incorporate art into upcoming renovation work at West Park.

AAPAC is issuing a request for qualifications (RFQ) to solicit artists to work on three curving, concrete seat walls that will be built into the hill opposite West Park’s band shell. With a budget for the artist in the range of $8,000 to $10,000, the project is the first work solicited under the city’s Percent for Art program since the water sculpture for the new municipal center, which has a budget of $737,820.

The water sculpture’s design was done by a German artist, Herbert Dreiseitl. The West Park RFQ specifies a Michigan artist. [Full Story]

Ann Arbor Public Art Commission meeting (Jan. 12, 2010): A portion of AAPAC’s first meeting of the year was spent looking back at 2009 – and their success in December defeating a challenge to the Percent for Art program.

But while reporting on city council’s vote against cutting public art funding to a half-percent, AAPAC chair Margaret Parker wasn’t feeling complacent: “I think we can expect a similar [challenge] to happen in the future.”

The commission discussed several other projects, including the status of the Herbert Dreiseitl sculpture recently approved by city council. He has not yet responded to queries asking him to modify two additional pieces of art – it’s unclear if those pieces, originally planned for the interior of the new municipal center, will move forward. [Full Story]

Christmas is over. Was everyone properly grateful?

You know who we’re talking about here, even though there are certainly none of them in your family. We’re talking about that little sugar plum who works up a sweat ripping open loot and caps the frenzy with, “Is this all?” Or the tot, her golden curls still sleep-tousled, who tears enough paper off each present to see if it’s worthy of further attention and, if it disappoints, chucks it aside for the next one.

A woman I know recalls the Christmas her brother visited with his family; the little darlings plowed through the booty in the twinkling of an eye, allowed themselves a few minutes to fight with each other and then demanded to go back to the hotel pool because they were bored. Visions of stuffing them in a coal sack and dumping them into the deep end danced in Auntie’s head.

This time of year always gets me thinking about Oscar Wilde’s “The Happy Prince,” a fairy tale guaranteed to bludgeon a sense of empathy into the most irredeemable of brats. [Full Story]

Ann Arbor City Council meeting (Dec. 21, 2009) Part I: Ann Arbor’s city council meeting lasted past midnight, as the council concluded the evening with a closed session on labor negotiations. The apparent focus of that closed session was the possibility that an agreement could yet be struck with the firefighter’s union that would prevent the layoff of firefighters who’ve already received letters of termination that would end their service to the city on Jan. 4, 2010.

What pushed the council meeting into the wee hours, however, were the topics of art and parking.

Several members of council backed off their previous support for a reduction in public art funding. The Percent for Art program was left at its full funding level. The council also approved a contract for management services for the Dreiseitl art project to be installed as a part of the new municipal center – amid legal concerns raised by Stephen Kunselman (Ward 3).

Also, the council ultimately approved a heavily amended version of a resolution on parking that Sandi Smith (Ward 1) had added to the agenda on the previous Friday, which left the intent of two key “Resolved” clauses largely intact: (i) the city will get revenues from a surface parking lot, and (ii) the city’s plan to install its own meters has been braked indefinitely. A third clause that would have extended downtown meter enforcement to 10 p.m. was swapped out in favor of one that is less specific.

The council attended to a variety of other matters, including its new committee organization, authorization of purchases connected to single stream recycling, and acceptance of an energy grant. Councilmembers and the city administrator also made robust use of the communications section of the agenda to provide status updates on their recent work.

In Part I of our council report, we focus on art and parking. [Full Story]

Ann Arbor Park Advisory Commission meeting (Dec. 15, 2009): If projects discussed by the city’s park advisory commission move ahead, next year will bring a series of art installations to the Huron River, and turn two city parks into parking lots for University of Michigan home football games.

At its Dec. 15 meeting, park commissioners raised concerns but ultimately signed off on a city staff proposal to use parts of Allmendinger and Frisinger parks for football parking during the 2010 season. The plan could raise an estimated $34,000 in net revenues for the city.

In a separate move, the commission gave the go ahead for UM to apply for a state permit that’s needed to install a series of wire sculptures at four locations along the Huron River, from Argo to Gallup. It’s an ambitious project by UM visiting artist William Dennisuk, designed to bridge the town/gown communities – assuming that the project itself gets approval from the city and state.

Commissioners also got a budget update from Jayne Miller, the city’s community services director, who told them to anticipate additional cuts over the next two years, and described how that might affect parks and recreation. [Full Story]

Ann Arbor Public Art Commission (Dec. 8, 2009): One day after Ann Arbor city council voted to temporarily cut in half a program that funds public art projects, the commission that oversees that funding strategized over how to respond.

They hope to rally others in the community to attend a public hearing at the Dec. 21 city council meeting, when councilmembers will take a final vote on the three-year funding cut.

Several commissioners expressed concern that some councilmembers didn’t seem to understand how the city’s Percent for Art program works.

Since it was formed in 2007, the program has set aside 1% of any city-funded capital improvement project, to be used for public art. The proposal initially approved by council on Monday would cut that funding to a half percent.

Also at the Dec. 21 council meeting, a vote is expected on the program’s first major project: a water sculpture by German artist Herbert Dreiseitl, proposed as an outdoor installation at the new municipal center next to city hall. [Full Story]

Ann Arbor City Council meeting (Dec. 7, 2009) Part I: Based on dialog at the city council’s budget retreat on Saturday, and the absence of any action at Monday’s council meeting to prevent it, layoff notices to 14 firefighters will be sent sometime this week.

Mayor John Hieftje also gave some additional detail on a proposal he’d mentioned at the council’s budget retreat on Saturday: an across-the-board wage cut of 3% for all city employees, which would include councilmembers.

Though the topics of firefighters and wage cuts were mentioned during the council’s communications section of the meeting, what pushed the meeting to nearly midnight were deliberations on two resolutions: (i) a three-year reduction of the Percent for Art program to effectively a “Half-Percent for Art” program, and (ii) acceptance of the Huron River and Impoundment Management Plan (HRIMP).

Both resolutions passed, though the HRIMP resolution was heavily amended. The material effect of the amendment was that it was not technically “accepted” by the council, but rather remanded to the city’s park advisory commission and the environmental commission. [Full Story]

Ann Arbor Park Advisory Commission (Nov. 17, 2009): With the golf season coming to an end, the city’s Park Advisory Commission got a status report from Ann Arbor’s director of golf, Doug Kelly. He did not, however, provide a recipe for his chicken salad, which he added to the menu this summer at the two city-owned courses. Then again, no one asked – but someone did ask when the golf courses were expected to break even.

Also at the meeting, PAC honored Roger Wykes, the 2009 Natural Area Preservation volunteer of the year. Wykes helps out with the city’s breeding bird survey – commissioners heard details about that project from ornithologist Dee Dea Armstrong.

And an artist who’s spending this year as a visiting lecturer at the University of Michigan made a pitch for an art installation along the Huron River – a project that he envisions will help build a bridge between the university and the community of Ann Arbor. [Full Story]

Ann Arbor Public Art Commission meeting (Nov. 10, 2009): Based on the recommendation of Sue McCormick, the city’s public services administrator, the Ann Arbor Public Art Commission will be forwarding a resolution to city council for approval of only one of three art pieces by German artist Herbert Dreiseitl.

The city has already paid Dreiseitl for the design of three pieces for the city’s new municipal center, also known as the police-courts facility, being built next to city hall. But it will only be the outdoor piece – a storm water fountain and sculpture – that city council is expected to vote on at its Dec. 7 meeting.

City council was originally expected to vote on the Dreiseitl project at its Nov. 16 meeting. According to AAPAC chair Margaret Parker, the delay in voting on the outdoor piece, which currently has a budget of $728,458, was due to McCormick’s concern over unanswered questions that require additional input from the municipal center’s architect as well as Dreiseitl. McCormick had pointed to unresolved issues with the two indoor pieces in deciding to leave them out of the vote completely, Parker said. [Full Story]

Ann Arbor Park Advisory Commission (Oct. 20, 2009): Last week’s meeting of the Ann Arbor Park Advisory Commission (PAC) was in many ways a buffet of updates and tutorials, accented with a soupçon of art and a dash of dog park.

City staff talked to commissioners about special events planning and facilities rental at the parks, and gave an overview of how the city’s natural areas are prioritized for restoration. PAC also got a time line for the state-mandated rewrite of the Parks, Recreation and Open Space plan, known as PROS.

But we’ll start with the saga of a man and his dog, and what he’d like the city to do to make their time together more enjoyable. [Full Story]

Raising questions about higher costs and design changes, members of the Ann Arbor Public Art Commission on Monday tabled action on one proposed art installation for the new municipal center, set conditions on another piece, but recommended approval of the largest work of art by German artist Herbert Dreiseitl.

The $841,541 budget submitted just last week by Dreiseitl for the three pieces of art – including design fees already paid to him – exceeds AAPAC’s original cap of $750,000 for the project. AAPAC had set aside another $250,000 for other public art projects on the municipal center site, and plans to use part of that amount to pay for Dreiseitl’s project.

Even at the higher cost, Dreiseitl has warned that creating all three pieces for that price will be “challenging” – and some commissioners said they should consider providing more funding, if it’s necessary to achieve his vision. The complete vision was unclear on Monday, however, since AAPAC did not have final drawings for his proposed two interior wall pieces. [Full Story]

Ann Arbor Public Art Commission (Oct. 13, 2009): In a move that came as a surprise to some commissioners, the Ann Arbor Public Art Commission was asked at its Tuesday meeting to schedule a special session this Friday to vote on the Herbert Dreiseitl art project.  The project is  a three-piece installation planned for the new municipal center, which includes a large waterscape sculpture in the building’s outdoor plaza.

However, the city still doesn’t have a final budget or final designs from the German artist – those will likely be provided by Thursday afternoon, according to Katherine Talcott, the city’s public art administrator. It’s also possible that the Friday meeting will be postponed, if information isn’t provided in time. The meeting, which is open to the public, is tentatively set for noon at the City Center’s 7th floor conference room, 220 E. Huron St. [Editor's note: At around 10:00 a.m. on Thursday, Oct. 15, the city clerk's office contacted The Chronicle with the news that the Friday meeting would be rescheduled. UPDATE, Oct. 16, 2 p.m.: A special meeting of the municipal center task force has been scheduled for Monday, Oct. 19 from 1-2:30 p.m. at the City Center's 7th floor conference room, 220 E. Huron St. Also on Monday, a special meeting of the Public Art Commission is set for 5:30 p.m. at the same location.] [Full Story]

Starting on Wednesday and running through Oct. 10, the city of Grand Rapids is turning itself into one huge urban art gallery. The concept is ArtPrize – an art competition open to anyone who wants to enter, at any location offered up as a venue, with a $250,000 top prize that’s awarded by people who actually visit the city and take the time to vote. Another $200,000 will be given out in smaller amounts, also based on votes.

It’s about as public as art can get.

The Chronicle has been covering Ann Arbor’s own public art initiatives, reporting on the monthly meetings of the Ann Arbor Public Art Commission, which oversees the city’s Percent for Art program, and tracking the saga of German artist Herbert Dreiseitl, who’s being commissioned – for over $700,000 – to make three art installations at the new municipal center. So the question of how another city in Michigan is promoting public art was a natural one to pursue.

That led The Chronicle to Grand Rapids last weekend.

Over two dozen Ann Arbor area artists are among the 1,200 or more who’ve entered the ArtPrize competition. We hoped to observe artists setting up their work prior to Wednesday’s opening, and to motivate others to make the two-hour trip up I-96 to check out what happens when a city opens itself quite dramatically to art. Here’s a sampling of what we encountered. [Full Story]

Ann Arbor Public Art Commission (Sept. 8, 2009): Herbert Dreiseitl, the German artist recruited to design three art installations at the city’s new municipal center, is coming to Ann Arbor next week to answer questions related to his proposed nearly $800,000 project, which has not yet received approval from the city.

Unlike his previous trip, Dreiseitl won’t be meeting with the public. His agenda includes meetings with businesses in Tecumseh and Hammond that might serve as fabricators for his artwork. That includes a large illuminated water sculpture for the plaza facing Huron Street, and two smaller wall installations inside the building. He’ll also be meeting with city staff and architects for the municipal center, among others.

Katherine Talcott, Ann Arbor’s public art administrator, said the city hadn’t yet paid Dreiseitl for his design work, and that they wouldn’t deliver the $72,000 check for that work until they received more information from him, including detailed cost breakdowns for the project. [Full Story]

Ann Arbor Public Art Commission (Aug. 11, 2009): The art commission made no decision at its monthly meeting on whether to recommend German artist Herbert Dreiseitl’s proposed art installations at the new municipal center, saying they need more details, including cost estimates. However, they debated another aspect of the center’s public art: Whether to put out a nationwide call for artists to compete for additional art installations there. Some commissioners spoke in favor of supporting local artists instead, and others were concerned about spending another $225,000 on municipal center art – in addition to nearly $800,000 budgeted for Dreiseitl’s work. [Full Story]

Although he was born there, Herbert Dreiseitl doesn’t belong to Germany. He doesn’t belong to Norway, Australia or Singapore either. He belongs to the planet.

That’s what Dreiseitl – the artist the Ann Arbor Public Art Commission hired to create a public art installation at the new city municipal center – told the audience at a presentation on Monday morning at city hall.

“As a person, I always feel home where I am,” Dreiseitl said.

The controversy over the municipal center project – especially the fact that AAPAC isn’t using a local artist for the nearly $800,000 project – drove Dreiseitl to make those remarks as he presented his designs for the artwork during his recent visit to Ann Arbor.

He spent most of the day on Monday in public and private meetings about his work, including a morning session with city staff and art commissioners, a public reception and a formal presentation to city council. [Full Story]

Ann Arbor Public Art Commission (July 14, 2009): A big chunk of Tuesday’s art commission meeting focused on the upcoming visit of German artist Herbert Dreitseitl, who’ll arrive in town this weekend. Where will he stay? When can the public see his designs for the municipal center? How can you score one of the buttons shown in this photo? Our report on Tuesday’s meeting will provide answers to all these questions, and more.

The meeting also introduced The Chronicle to a new vocabulary word – “scuppers” – and included a talk by Susan Pollay of the Downtown Development Authority. To find out which piece of public art she describes as a “sad little sculpture,” read on. [Full Story]

Ann Arbor City Council meeting (July 6, 2009): The word “public” covered much of the ground of this past Monday’s meeting: public art, public land, public input.

The council got an annual report from the Public Art Commission highlighted by a reminder that Herbert Dreiseitl will be visiting Ann Arbor on July 20 to introduce plans for the storm water art he’s been commissioned to design for the new municipal center. The designs have not yet been accepted.

The council also heard a report from the Greenbelt Advisory Commission on a slight strategy shift in the use of $10 million of public money so far to protect 1,321 acres of land. The  council also approved a resolution to preserve the First & William parking lot as public land.

The discussion of another parcel of public land, the library lot, led to long deliberations on the wording of a resolution to establish an RFP (request for proposals) process for development of the site – below which an underground parking structure is planned. At issue was the timing of the RFP and the explicit inclusion of a public participation component in the process. The deliberations provided some insight into how councilmembers work together when the outcome of their conversations at the table is not scripted or pre-planned. [Full Story]

Strolling through Ann Arbor’s Kerrytown area, you might notice the large, erratically structured arch standing on the corner of Fourth Avenue and Catherine Street, in the plaza known as Sculpture Park. Whether you’re on the way to the Smoothie King or are searching for place to sit down for a moment at one of the surrounding tables, this cubist entryway merits a closer look.

The Kerrytown Arch was created by University of Michigan graduate David Heberling in 1977. According to “Public Art in Ann Arbor and Washtenaw County” by Martha Keller and Michael Curtis, it serves as a “symbolic gate” between the downtown business district and Kerrytown, akin to “triumphal archs” the Romans constructed to mark their conquests in ancient Italy, France, North Africa and Asia. [Full Story]

Ann Arbor Public Art Commission meeting (June 9, 2009): Ann Arbor Public Art Commission members spent their regular meeting this month discussing their annual plan and budget, as well as hearing reports from their public relations, planning and projects committees. They also discussed German artist Herbert Dreiseitl’s upcoming visit to Ann Arbor, during which he’ll discuss his plans for the municipal center with AAPAC and the city. [Full Story]

On May 26, the Ann Arbor Public Art Commission spent several hours focused on developing its plan for the coming year. This included a joint meeting with the Downtown Development Authority about collaboration between the two groups, and a planning meeting later in the day with just AAPAC members to decide which public art projects to include in its annual plan for the next fiscal year.

Though no decisions were made, the meetings gave some insight into priorities for public art in Ann Arbor, who’ll be choosing and funding projects, and what’s ahead for the coming year. [Full Story]

A trio of women stood staring at the piece of paper on the wall, pencils and shiny star stickers poised in their hands. One of them announces she wants to mark somewhere with a bench. Somewhere she can sit and look.

The paper they’re looking at is a map of Ann Arbor. The stickers and pencils are tools to highlight places they think could use some artwork. On a bench below the map, there’s also a suggestion box, with squares of paper scrawled with the public’s suggestions for the Ann Arbor Public Art Commission’s next project.

The map was part of AAPAC’s open house, which the commission held Thursday evening at the Ann Arbor Art Center. The event, where commissioners entertained about 30 supporters and community members, featured a slideshow of public art – from the Arch in Kerrytown’s Sculpture Park to various pieces by Herbert Dreiseitl, the German artist AAPAC commissioned to work on the public art installment at the municipal center.

There were also sheets of paper with information about the commission attached to the wall, answering questions like “Why a public art commission?” and “Creating a public art plan: How do we get there?” While perusing the center’s Jewelry + Objects exhibition and enjoying wine, fruit and brownies, attendees told The Chronicle why they came and what they think of public art. [Full Story]

The sculpture by Doug Hollis outside the University of Michigan Hospital is a moving work of art. Literally.

Hollis – an Ann Arbor native and University of Michigan alumnus – described the piece as a “kinetic screen.” Located outside of the hospital’s main entrance, the sculpture is made entirely of stainless steel and contains rotating components that spin in the wind. Hollis explained that wind, water and motion are the main elements of his artistic vocabulary.

The university commissioned the sculpture, called “Rotations,” to honor the memory of the University of Michigan Medical Center transplant team who died when their plane crashed into Lake Michigan in June 2007. [Full Story]

Ann Arbor Public Art Commission (May 12, 2009): Members of the Ann Arbor Public Art Commission spent much of their recent monthly meeting talking about their plan for the next year and projects they should tackle. They also discussed upcoming events, including AAPAC’s open house on May 21, a joint meeting with the DDA board on May 26, and the Golden Paintbrush awards on June 1. [Full Story]

As a student at Washtenaw Community College, I occasionally wondered about the story behind the large metal shapes leaning into each other near the school’s main entrance. Day after day, I took in the sculpture’s dominating presence as I passed it on the way to WCC’s Student Center. Standing 22 feet high, it’s hard to miss. In their book “Public Art in Ann Arbor and Washtenaw County,” Martha Keller and Michael Curtis describe it as looking like “two irregular dominoes.”

To me, it just seemed like two giant rectangles propped up against one another, their meaning an abstract mystery I never bothered to solve.

Paul D. Zenian created the “dominoes” — titled the “Gateless Gate” — for the campus over two decades ago. According to Keller and Curtis, Zenian taught at WCC for 25 years before his retirement in 1994. The piece’s inscription explains that he intended for it to symbolize the “door to education” WCC offers. [Full Story]

Ann Arbor Public Art Commission (April 14, 2009): Much of Tuesday’s meeting focused on issues related to communication, and in particular how it related to the controversial Herbert Dreiseitl project for the city’s municipal center.

And though his visit wasn’t discussed at length, the German artist is coming to Ann Arbor on July 20 to present his designs to the commission and city council. Using funds from the Percent for Art program, the city is paying $77,000 for his preliminary design work, but would still need to sign off on the entire project, which is estimated to cost around $700,000.

There will be a public reception for him, said Margaret Parker, chair of the art commission. It’s not clear whether the commission will see his designs before he arrives, but they might try to vote on the project and take it to city council for approval while he’s here, she said, adding that details about his visit have yet to be finalized. Before he arrives, the commission also plans to have an open house for the public on May 21, to talk about their mission and goals. [Full Story]